YOSHIKI TAKATA [Japanese Contemporary Artist]

• • • Takizawa Art Field 2013 • • •: The Remembrance of Trees in Mountains
Ainosawa Campsite (Iwate)

• • • Art Islands TOKYO: Yotsuya3chome Exhibition • • •: The Garden of Igor 1, 2
Ramp-Zaka Gallery (Tokyo)

• • • (Welcome) Exhibition • • •: The Garden of Igor
Euro Art Gallery (Rivne, Ukraine)

• • • Spirit Products Conception 2013 • • •: SPC Gallery, Nihonbashi (Tokyo)

• • • The ４th MASUDA Exhibition • • •: I was nameless unofficial participant in the exhibition.
Four kinds from the theme "Also from the Religious Head of the Sardine."
MATERIAL: One Square Masu Measure (180.39ml container), Ceramics, Oven Clay, Acrylic Paints, Beeswax Finish
K's Gallery, Kyobashi (Tokyo)

• • • 【SOLO】Vestige–Indication–Record V: IMPRESSION • • •: Space made from ferro-concrete is not large enough.
The ceiling where traces of the bear hand remain.
A movable panel to earn an exhibition area provided for the display.
The space where the upper ceiling and pillar of the room touched.
Edge of a movable panel.
The faint sign is emitted.
I was intrigued by the place.
MATERIAL: Paraffin, inkjet printer, Japanese paper, fine paper, pin
Gallery Yume, Mitaka (Tokyo)

• • • Calendar: Being the Place Where Moonlight Soy Sauce was Produced • • •: We live in the present. We were born several years ago and leave sometime.
We are in this place. We came from wherever and go away somewhere.

I am here now.
It surrounds the place "so far" as well as the present.
It also surrounds the place until the present of mine.
"畐 (Happiness, Treasure Given by God)" and "FUKU" Exhibition/ART SPACE Gekko Syoyu, Fukushima

• • • Yoshiki Takata and Yoshiyuki Takashima: Art Exhibition • • •: The wide range of gray scales and the traces of arm's motion of rubbing are going away when it transfers to a blueprint from a tracing paper carried out frottage. It is divergent from the further real thing to show a blueprint. Those who confronted each other imagine what real thing is, and play with imagination. The interval of responding to the floating soul is produced only by the depth of the divergence and I am conscious of the floating soul.
SPC Gallery/Nihonbashi, Tokyo

• • • Unpuzzled Trees ~I'm Here Now.~ • • •: I wanted to keep these trees alive as nature as much as possible in this forest.
It groped for the ability not to nestle up to trees in a form without any pain. Eventually I could attach proofs in warm temperature to trees by my hands. Proofs were attached to trees and the thickness of trees was recorded in a notebook About working for 8 days, this number of tree with my proof exceeded 50. Some people pass by oblivious to my proofs.
I have wanted to whisper that there are here six trees over 200 cm thick.
Abiko International Open-Air Art Exhibition vol.14

• • •【SOLO】Unpuzzled Stones • • •: I was in the art gallery (Saiensu) on September 24. A cohesive design was not finished, but felt presence not to be able to lack in the humanity and justice to these stones if I featured the theme of this space and time.
It was the early morning of October 1 that I came to Saiensu again. For six hours that day, 12 hours next day, and approximately 6 hours on October 3, it took several hours for production, positive dreaming, and delusions. Finally it was with announcement of the "Unpuzzled Stone (Wehimosen Stone)" by frottage.
Gallery Saiensu/Iwate

• • •【SOLO】Let's Do KITSCH! vol.2 • • • ~ The kitsch for the first time in three years is carried on sardine (IWASJHI) ... ~: I know I am seen somewhere, but cannot fined out where it is from even if I look around.
Absolutely I am seen in something. It is ... in something which is not somebody.
Gallery Saijiki/Tokyo

• • • The Exhibition of Dodo and Pleasant Friends • • •: Galerie Verger/Kanagawa

• • • The Int'l Contemporary Art Exhibition 2011 & the Report • • •: Habu Harbor, Izu-Oshima Island/Tokyo & the Ramp-Zaka Gallery/Tokyo

• • • TAKIZAWA ART FIELD 2011 • • •: The camp site is located several kilometers away from the Koiwai farm and is also the trail head to the Kurakake mountain walk while watching the cows grazing in the adjacent field. The bear bell that is comes and goes with the step of the mountaineer.
The weather this year is nice compare to the weather of 2007. I recall that Rabu (my dog) was jumping around here in 2007.
I felt sense of incongruity such as "the setting scene" in this crystal clear atmosphere. It is just subtle sense of incongruity to follow about after 3.11 that I cannot wipe out.
I thought about 2007.

• • • Folwark International Symposium • • •: This is the center of the city where people come to shop and villages are scattered at the core of the Polish Catholic Church. That being said, here also, The small town where the tower of the church rises here most highly again, and there are 3-story buildings I could see. A river flows through the hilly areas and all roads are sloping.
There are quite big houses with well-maintained garden for big families along a road. And there are the deep green and meadows including the moisture are imminent as intricate. Folwark Stara Winiarnia hotel is located in this environment and this exhibition was held in a multipurpose hall of the hotel.
This hall is used for a wedding or gallery. It's not a old building but it looks like an old castle made with stones. A small ray of daylight from the window was reflecting shadows in the dark.
As for me, would it be obtained them?
Mszana Dolna City, Poland